| Master your airspeed - Many people don't realize this, | | | | sung onstage. People want an emotional connection to |
| but the amount of air that you should be expelling for | | | | the words and melody of a song. Even when |
| high notes should be considerably greater than low | | | | practicing, you should be focusing all of your energy on |
| notes. A common mistake for beginning singers is | | | | the present moment, being as expressive with the |
| pushing out too much air when they sing, because they | | | | song as possible. |
| feel it makes them sound stronger. In reality this just | | | | Articulate Your Sounds - There is nothing worse that a |
| adds tension to your voice, and makes your voice | | | | person who mumbles during a speech, and it isn't that |
| sound stressed. | | | | different for a singer performing a song. The way to |
| Work On Your Performance - Let's face it: when we | | | | work on this is to overly stress the front of the mouth |
| learn to sing the end goal is to share our voice with | | | | articulators like the tip of the tongue, lips and teeth. To |
| others! This might seem obvious, but many singers | | | | work on this, record yourself and listen for articulation. |
| don't consider the performance side of singing with | | | | Don't have a way to record yourself, try an online |
| their practicing. A song that might sound great in the | | | | singing lessons course that offers a singer's recording |
| rehearsal space can sound dead and lifeless when | | | | package. |